Medea

Performance Dates
Saturday Mar 8th 8pm
Sunday Mar 9th 3pm
Saturday Mar 15th 8pm
Sunday Mar 16th 3pm
Saturday Mar 22nd 8pm
Sunday Mar 23rd 3pm
Saturday Mar 29th 8pm
Sunday Mar 30th 3pm

Sales Ended Buy Subscription
Tickets and subscriptions are on sale now
Ticket prices $12.50 – $37.50
Opening night prices $25 – $50
Theatre & Dinner Package $85
Available for March 9th and March 16th performance dates. Includes Orchestra Center Seating and a Prix-Fixe 3 Course Menu at 1300 on Fillmore. Four hour complimentary transportation to and from theater and 1300 on Fillmore.

Groups of 10+ can receive a special discount
Group Tickets

Venue
Buriel Clay Theatre
African-American Art & Culture Complex
762 Fulton Street, San Francisco
Map & Directions

How to Select Your Own Seat

March 8-30, 2014
Euripides’

Medea

Translated by Frederic Raphael and Kenneth McLeish
Directed by Dawn Monique Williams

LOVE. BETRAYAL. VENGEANCE. African-American Shakespeare Company continues its 19th season with MEDEA, Euripides’ infamous Greek tragedy about a jilted wife exacting the ultimate revenge on a cheating husband. After a long series of trials and adventures, Greek hero Jason has abandoned his wife, Medea, and their two sons for the daughter of King Creon. Jason’s abandonment of his family crushes Medea, driving her to override her maternal instincts and carry out an unimaginable quest for justice.

Director’s Notes

As a theatre major in undergrad I read several of the ancient Greek tragedies. I understood the plays very well in their academic context – historical fictive narratives on the construction of a patriarchal Greek society – but it was their tribal markings that evoked my visceral response. Rich with song and dance, the voice of the community is what I heard in these plays: collected stories, shared history, heated debate, and invocation of gods. These plays changed my relationship to theatre and Euripides’ Medea, in particular, unlocked my sense of theatricality (becoming the first full length play I would direct). That was over a decade ago, and here I am revisiting this big, messy, impossible classic with renewed vigor.

Perhaps it was the fact that I was a new mother at the time I first directed the play, but Medea’s inconsolable grief permeated my psyche. I saw a play about postpartum depression, I saw Susan Smith, Andrea Evans. I wondered the big unanswerable question, “what would drive a mother to such horrible acts?”. I still wonder that now. I’m still in the trenches with this play and would probably unearth something new and revelatory if I directed it again every decade of my life. Right now I understand grief differently than when I was 23. I understand parenting differently. Grief is unreasonable. Loneliness, isolation, alienation don’t result in logical behavior. And truthfully, this play is less about parents and children, and more about neglect and punishment. It is a play about love. About sacrifice, betrayal, the importance of community, belonging, and the near impossibility of a human heart surviving unscathed.

I imagine we all agree that we could not do what Medea does, but I suspect we have all felt what Medea feels. That’s what keeps this play heartbreakingly alive.

- Director Dawn Monique Williams

Cast

Production Team

Director
Dawn Monique Williams
Production Manager
Gregg Hood
Stage Manager
Cheryle Honerlah
Technical Director and Lighting Designer
Kevin Myrick
Set Designer/Carpenter
Bert van Aalsburg
Costume Designer
Courtney Flores