Friday March 31
Saturday April 1
Sunday April 2 3pm
Friday April 7 8pm
Saturday April 8 8pm
Sunday April 9 3pm
Friday April 14 8pm
Saturday April 15 8pm
Sunday April 16 3pm

Running time: 2 hours and 30 minutes with a 15 minute intermission
Recommended minimum age: 8

Marines’ Memorial Theatre
609 Sutter Street, 2nd Floor
San Francisco, CA, 94102
Nearest BART Station: Powell


To view more press images and to download high resolution files, please view our Press page.

Press Coverage

Theatre Bay Area
Recommended Production April 12, 2017

Bay Area Plays
Review: 5 out of 5 stars
African-American Shakes’ powerful ‘Jitney’ showcases the brilliance of Wilson’s words

Feature: African-American Shakespeare Company drives ‘Jitney’ onto the stage
by David John Chávez

“Jitney” Fires Up at African-American Shakespeare Company, S.F.
August Wilson Shows Why Black Traditions Matter by Irene Nelson

Theater & Such
Jitney’s Relevant Ride by Christine Okon

For All Events
Wilson’s JITNEY at AASC: A Riveting Emotional Journey by Linda Ayres-Frederick

Wanda’s Picks
San Francisco African American Shakespeare Company’s “Jitney”
by Wanda Sabir

San Francisco Chronicle / SFGate
August Wilson’s ‘Jitney’ crowns kings of cabbies by Lily Janiak

San Francisco Examiner
Jitney featured in the Arts Calendar for April 7

Open Air with host David Latulippe and Eric Reid (Booster) as well as Executive Director Sherri Young. Listen at or below, starts at 2:03.

Wanda’s Picks Radio Show
Interview with Edward Neville Ewell (Youngblood) and Jemier Jenkins (Rena). Interview starts at 96:20.

August Wilson

Academy Award winner Viola Davis gives praise to August Wilson’s plays.

April 1–16, 2017


Written by August Wilson
Directed by L. Peter Callender

Set in 1977 in the Hill District of Pittsburgh that is served by a makeshift taxi company, Jitney is a beautiful addition to the author’s decade-by-decade cycle of plays about the black American experience in the 20th century.

Jitney takes place during an end of an era, where urban renewal threatens to eliminate the makeshift small business Jitney service, which developed to serve the Black community when taxis would not come to their neighborhoods. Jitney is a play about father and sons and brotherhood and love; loss and hope; and ultimately, community, told with passion that transcends all races. Jitney is part of the “Pittsburgh Cycle” of plays created by August Wilson about the African-American experience in Pittsburgh.

2017 Theatre Bay Area Awards Finalists

L. Peter Callender

Nikki Anderson-Joy

Devon LaBelle

5 out of 5 stars
“August Wilson’s play ‘Jitney,’ produced with magnificent splendor by San Francisco’s African-American Shakespeare Company, the first time in their 23-year history they have ventured into the Wilson canon, is a mesmerizing dazzler, a delicious slice of the joy and pain of Black life set in 1977.” —David John Chávez, Bay Area Plays

“The fine cast and direction make us want to catch this Jitney, before it leaves. Wilson and Callender bring the Black working man’s experience to life in this gem.” —Irene Nelson, Theatrius

“The story of Jitney is relevant now as so many small arts groups are struggling with funding cuts and threats to culture by the ‘forces that be.’” —Christine Okon, Theater & Such


Director’s Note

No director worth his/her salt would turn down an opportunity to direct one of August Wilson’s plays, nor an actor turn down an opportunity to play one of his richly nuanced characters. I have had the pleasure of doing both! I have acted in 23 Shakespeare plays, directed several and, as in Shakespeare (who wrote 10 history plays as did Wilson), Wilson’s words are textured, the thoughts are rich and complicated, the characters bigger than life and the stories are breathtaking! Jitney, Wilson’s first play, is such an example. It is a play about fathers and sons; brotherhood and love; loss and hope, and ultimately, community, told with passion and poetry that transcend all races. This is not an epic play. It doesn’t follow in the footsteps of Wilson’s other masterpieces like The Piano Lesson, Fences, Gem of the Ocean, Ma Rainey’s Black Bottom, and Joe Turner’s Come and Gone. What makes this play stand on it’s own are the characters you’ll be introduced to and how they maneuver through their lives on life’s battlefield. The leaders and the followers, the dreamers and those whose dreams have faded away; and those clawing their way back from near destruction, in a world that is crumbling around them. All the while, exhibiting pride, honor, dignity, humor, love and the unwavering desire to survive! I will be forever grateful to have the opportunity to helm this brilliant work! I dedicate this production to Brandon Callender, Elsa Callender, and to you, reading these notes, for your support of these great plays.
—L. Peter Callender


Becker, L. Peter Callender*
Turnbo, ShawnJ West
Youngblood, Edward Neville Ewell
Fielding, Trevor Nigel Lawrence
Doub, Jonathan Smothers
Shealy, Fred Pitts
Booster, Eric Reid
Rena, Jemier Jenkins
Philmore, Gift Harris

Production Team

Director, L. Peter Callender
Production Manager, Leontyne Mbele-Mbong
Stage Manager, Brian Snow
Set Designer, Kevin August Landesman
Technical Director, Roger Chapman
Lighting Designer, Kevin Myrick
Sound Designer, True Siller
Costume Designer, Nikki Anderson-Joy
Props Designer, Devon LaBelle
Assistant Director, Jemier Jenkins


*The Actor appears through the courtesy of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States.