African-American Shakespeare Company's production of CINDERELLA directed by Sherri Young | December 22-24, 2017

Performances

Friday December 22
Opening
SOLD-OUT!
8pm
Saturday December 23
SOLD-OUT!
11am
Saturday December 23
SOLD-OUT!
3pm
Sunday December 24 1pm

Running time: Approximately 90 minutes including a 15 minute intermission
Recommended minimum age: All ages

Venue
Herbst Theatre
401 Van Ness Avenue
San Francisco, CA, 94102

Plan Your Visit
Tickets
$25-30, General Seating

Buy Tickets

Group Ticket Discount: 15% off purchase of 10+ regular price tickets

Buy Group Tickets

Cinderella single and group tickets are handled by City Box Office
(415) 392-4400
Weekdays: 9:30am-5:00pm
Saturdays: 12:00am-4:00pm

Subscriptions
3-Play Series Subscription: $60
Attend Cinderella, A Streetcar Named Desire, AND, Richard III at a single discounted price. Savings of up to $35!

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Press Coverage
KQED Arts: The Do List
A Black-Girl-Positive ‘Cinderella’
by Cy Musiker

San Francisco Chronicle
Theater events for the holidays
by Lily Janiak

49 Miles: The San Francisco Guide
The SF Must List: What to Do in San Francisco This December
by Wassim Khemici

Ronnie’s Awesome List
Holiday Theater Performances

Read It And See It Plays This Holiday Season

San Francisco Examiner
Holiday Theater 2017
by Leslie Katz

December 22–24, 2017

Cinderella

Written by African-American Shakespeare Company Members
Directed by Sherri Young

Enjoy the laughter this holiday season with the African-American Shakespeare Company’s original production of Cinderella. Delighting audiences for over 23 years, this is the heartwarming production of the lowly scullery maid who doesn’t know her own value. Only when a special invitation to the palace arrives, does Cinderella begin to dream of something more, but her stepmother and (oddly masculine) stepsisters have different plans for our heroine. Dreams do come true… with the help of a sassy fairy godmother who can make the magic happen. A side-splitting comedy that will have all ages with tears of laughter in their eyes and warmth in their hearts this holiday.

#CinderellaAASC

Director’s Note

I wanted to take our show back to its original brilliance. Over the years we have had so many alterations and changes, that now it’s time to go back to the original hearfelt storytelling that makes Cinderella so special—with the uniqueness that only African-American Shakespeare Company can bring.

Our little girls of color hear things like “not good enough”, “not pretty enough”, “not special enough” more than any child—so Cinderella is our gift to our young girls of color to know that they are treasured. This is the show for those little girls who were told they could never be a Princess, this is the show for those who tried to scrub the brown off their skin or wear the bed sheets on their heads so they can have long flowing tresses.

17 years ago, I didn’t see enough positive images for young black females at the time. Black women were portrayed as a sassy, sashaying, hand-on-hip abrasive characters. What these images lacked was a 3D dimension of the black woman. We do have that inner strength, but there is also vulnerability, softness, and the need to be loved, cared, and protected.

Needless to say, our Cinderella doesn’t fit in the traditional form of what we remember the Disney Cinderella to demonstrate. Yes, our Cinderella is kind and gentle, but she is fully aware of the inequalities in her life—and yet she does not allow those inequalities to define her. This is what makes Cinderella so brilliant! In the guise of all of these atrocities that happens she fights to remain positive and rise above.

Our Cinderella discovers that even if there were no Prince (spoiler) in her life, that she is able to still be all those things and that is what a makes her a strong woman.

—Sherri Young